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Home Lab Film Processing Order Form/Price List E-6 Processing Drop Off Points Frontier Vs Noritsu Contact Sheets Recycling Store All Products 35mm 120 Super 8 Colour Negative Black and White Slide Recycled Products Gift Cards Accessories Publications Brands Fujifilm Kodak Ilford Lomography Lucky Harman
Ikigai Film Lab
35mm and 120 film - Melbourne, Australia
FAQ & ContactBlog
Who Actually Makes Ilford Colour Film?
Who Actually Makes Ilford Colour Film?

Ilfocolor carries one of photography’s most famous names, but who actually makes the film inside the boxes? We look at Vivid 400, Vintage Tone, Cine Tone and Ilfochrome, and the unusual history behind the Ilford colour-film name.

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Ikigai Film Lab Support26 August 2026
Your $100 Reusable Film Camera Is Probably a $10 Disposable Camera
Your $100 Reusable Film Camera Is Probably a $10 Disposable Camera
Ikigai Film Lab Support17 August 2026
What Is Kodak Ektacolor Pro 400? Is It The Same As Portra 400?
Peter Davison14 May 2026
Guide: mailing film to the lab
Guide: mailing film to the lab
Peter Davison27 August 2021
Why are my scans always 72 DPI?
Why are my scans always 72 DPI?
Peter Davison12 August 2021
Our B&W Process (And Why You Should Choose Noritsu)
Peter Davison5 September 2020
Film Issues 101
Film Issues 101
Peter Davison15 August 2020
Ektar 100 and Portra 160 - A Side by Side Comparison
Peter Davison26 July 2020
Industrial 100 and Pro Image 100 - A Side by Side Comparison
Peter Davison26 July 2020
Scanning Slide Film Part II
Peter Davison11 July 2020
Getting Started with Film

Getting started with film - Our budget 35mm picks

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Peter Davison4 April 2020
Superia & Ultramax - A Side by Side Comparison
Peter Davison29 January 2020
Preparing your 120 film to send to us
Peter Davison18 August 2019
Scanning slide film - Our Workflow
Peter Davison16 June 2019
One Roll - New Kodak Ektachrome E100 Review
One Roll - New Kodak Ektachrome E100 Review
Peter Davison20 October 2018e100, ektachrome, slide film
Shooting Kodak Portra 800
Peter Davison21 August 2018
One Roll - Cinestill BwXX (Kodak Double-X)
Peter Davison2 July 2018
Kodak Gold 200 - The Latitude of Consumer Colour Negative Film
Peter Davison27 June 2018kodak gold, colour negative
Ocean Waves and Film Grain - An Interview with Matt Viesis

It has to be the unpredictable nature of film, you never quite know how the shots are going to turn out until you've developed them. There’s nothing more exciting than pulling negs out of the tank and holding them up to the light to see what you’ve got

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Peter Davison7 January 2018
Film, Life and Nature - An Interview with Jesse Pafundi
Peter Davison20 December 2017
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Ikigai Film Lab
62 Albemarle Street,
Williamstown North, VIC, 3016,
Australia
peter@ikigaifilmlab.com.au
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