T-Max or Tri-X? A look at T-Max 400

Kodak’s T-Max isn’t one of those films that you see constantly thrust into the limelight. It’s elder cousin Tri-X 400 and Ilford’s HP5+ seem to dominate the 400-speed black and white space and rightly so. Tri-X rests on its ability to adapt to nearly any situation and both pushes and pulls, then you have HP5+ with its aesthetically pleasing grain structure and untouchable ability to push while keeping contrast under control. 

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Peter Davison